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Country-western two-step. The country/western two-step, often called the Texas two-step[ 2] or simply the two-step, [ 3] is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found ...
4 and the half-jump step of the dance. [ 1] This name has been changed to "Polka" as an expression of honour and sympathy for the Poland and the Poles after November Uprising 1830-1831. "Polka" meaning in The Czech and Polish languages is "Polish woman". [ 2] The name was widely introduced into the major European languages in the early 1840s.
Reel music is notated in simple metre, most commonly either in 2 2 or 4 4. For example, the same reel Rakish Paddy is notated in a 2 2 time signature in O'Neill's Music of Ireland, New & Revisited, [5] but in 4 4 time in English, Welsh, Scottish & Irish Fiddle Tunes, [6] with no change to the note lengths.
Marches can be written in any time signature, but the most common time signatures are 4 4, 2 2 (alla breve, although this may refer to 2 time of Johannes Brahms, or cut time), or 6 8. However, some modern marches are being written in 1 2 or 2 4 time. The modern march tempo is typically around 120 beats per minute.
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. [ 1] It typically has a 2. 4 or 4. 4 rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC.
In folk dance from the Alsace region, waltzes in odd metres such as 5 4, 8 4 and 11 4 are found. In modern bal folk, waltzes in even higher metres are played and danced. Estonian folk dance Labajalavalss (flat of the foot waltz) performed in 3 4 time. [26] Sama'i (also known as usul semai) is a vocal piece of Ottoman Turkish music composed in 6 ...
The Polish dance entered Ireland in the 1840s, but is not widely played outside of Donegal. [8] Unlike the Polish mazurek, which may have an accent on the second or third beat of a bar, the Irish mazurka ( masúrca in the Irish language ) is consistently accented on the second beat, giving it a unique feel.
It is notated in 4 4 or 2 2 time and is usually of moderate tempo, though the folk dances also use meters such as 9 8 and 5 8. [2] In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances.