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Matthew's and Luke's accounts specify the "fringe" of his cloak, using a Greek word which also appears in Mark 6. [8] According to the Catholic Encyclopedia article on fringes in Scripture, the Pharisees (one of the sects of Second Temple Judaism) who were the progenitors of modern Rabbinic Judaism, were in the habit of wearing extra-long fringes or tassels (Matthew 23:5), [9] a reference to ...
The Healing of the Paralytic – one of the oldest known depictions of Jesus, [ 18 ] from the Syrian city of Dura Europos, dating from about 235. Initially Jesus was represented indirectly by pictogram symbols such as the ichthys (fish), the peacock, or an anchor (the Labarum or Chi-Rho was a later development).
The passage from scripture is as follows: A few days later, when Jesus again entered Capernaum, the people heard that he had come home. They gathered in such large numbers that there was no room left, not even outside the door, and he preached the word to them. Some men came, bringing to him a paralyzed man, carried by four of them.
The Storm on the Sea of Galilee by Rembrandt, 1632. Calming the storm is one of the miracles of Jesus in the Gospels, reported in Matthew 8:23–27, Mark 4:35–41, and Luke 8:22–25 (the Synoptic Gospels ). This episode is distinct from Jesus' walk on water, which also involves a boat on the lake and appears later in the narrative.
Raising of Jairus' Daughter by Paolo Veronese, 1546. The raising of Jairus' daughter is a reported miracle of Jesus that occurs in the synoptic Gospels, where it is interwoven with the account of the healing of a bleeding woman. The narratives can be found in Mark 5:21–43, Matthew 9:18 –26 and Luke 8:40–56. [ 1][ 2]
The agony of Jesus in the Garden is the first (or second) station of the Scriptural Way of the Cross (modern version of the Via Crucis) and the first "sorrowful mystery" of the Dominican Rosary, and it is the inspiration for the Holy Hour devotion in the Eucharistic adoration. It has been a frequent theme in Christian art depicting the life of ...
Two episodes from the Passion-cycle murals of Öja Church, Gotland. The iconic significance of the Chalice grew during the Early Middle Ages. Depictions of Jesus praying in the Garden of Gethsemane, such as that in the fourteenth-century frescoes of the church at Öja, Gotland (illustration, right), show a prefigured apparition of the Holy Chalice that stands at the top of the mountain ...
Resurrection of Jesus in Christian art. The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon ...
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