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The Schaffer–Vega diversity system (SVDS) was a wireless guitar system developed in 1975–76, engineered and prototyped by Ken Schaffer in New York City, and manufactured by the Vega Corporation, El Monte, California. A handheld microphone version was introduced in 1977. The system was the first cordless system to be adopted by major rock ...
Even before Shure re-entered the wireless microphone market though, concert engineers commonly specified Shure microphone capsules for the wireless microphone systems they were using. Once Shure introduced its own UHF wireless microphone system, which featured wireless versions of several popular Shure microphones, they no longer made capsules ...
The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated, it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones. [ 1][ 2][ 3] The SM58 is the most popular live vocal ...
Shure Brothers claims that its "Vagabond" system from 1953 was the first "wireless microphone system for performers." [7] Its field of coverage was a circle of "approximately 700 square feet", which corresponds to a line-of-sight distance of only 15 feet (4.6 m) from the receiver. [7]
In 1996, Shure altered the Beta 58 to create the Beta 58A, with a completely new cartridge design, meant to mimic the old cartridge as far as polar pattern, output level, and frequency response, but with slightly different sound characteristics; [when defined as?] the revised design also removed the hum-bucking coil and added an output transformer.
Ever since adding it to his rig, it was used on several albums in the studio for chosen rhythm guitar tracks and all lead guitar tracks. [27] Beginning with Rock or Bust, due to the discontinuation of the Schaffer system, Young began using a replica of the unit's preamp with a commercial wireless unit from Shure. [22]
Benton said the man continued to follow them even when her family got on the plane during early boarding and sat down in their row. At that point, she knew she needed to say something as her kids ...
Tony Iommi Jaydee Custom SGs Built in Birmingham by luthier John Diggins sometime between 1975 and 1978, the guitar was first used for overdubs on the 'Heaven and Hell' album and later became one of Iommi's main guitars. The guitar is equipped with a 24 fret neck with custom cross inlays, four control knobs (three of which are functional), a disconnected second output jack, a hole for a master ...
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