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Typefaces only shipped with Microsoft Office or other Microsoft applications are not included. The "Included from" column indicates the first edition of Windows in which the font was included. Typeface
Fallback font (freeware fallback font for Windows) Free UCS Outline Fonts aka FreeFont (free/open source, "FreeSerif" includes 3,914 glyphs in v1.52, MES-1 compliant) Gentium (free/open source, "Gentium Plus" includes over 5,500 glyphs in November 2010) GNU Unifont (free/open source, bitmapped glyphs are inclusive as defined in unicode-5.1 only)
Montserrat (typeface) Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires. [1]
Samples of Monospaced typefaces. Typeface name. Example 1. Example 2. Example 3. Anonymous Pro. [1] Bitstream Vera Sans Mono.
Metrically compatible with. Carlito. Calibri ( / kəˈliːbri /) is a digital sans-serif typeface family in the humanist or modern style. It was designed by Luc (as) de Groot in 2002–2004 and released to the general public in 2007, with Microsoft Office 2007 and Windows Vista. [3] In Office 2007, it replaced Times New Roman as the default ...
The Free UCS Outline Fonts (also known as freefont) is a font collection project.The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possibl
Arial. Arial (also called Arial MT) is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, [2] Apple's macOS, [3] and many PostScript 3 printers.
Futura (typeface) Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt -project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
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