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Venn diagram showing the relationships between homophones (blue circle) and related linguistic concepts. A homophone (/ ˈ h ɒ m ə f oʊ n, ˈ h oʊ m ə-/) is a word that is pronounced the same (to a varying extent) as another word but differs in meaning and sometimes also in spelling.
absent; accent; action; adder; address; advocate; affect; agape; alternate; analyses; appropriate; ash; axes; back; balance; ball; balls; bank; bar; bark; bass; bat ...
Homophones (literally "same sound") are usually defined as words that share the same pronunciation, regardless of how they are spelled. [ note 2 ] If they are spelled the same then they are also homographs (and homonyms); if they are spelled differently then they are also heterographs (literally "different writing").
Another topic that has been given some attention is differences in processing of homophones. Verdonschot et al. [6] examined differences in the time it took to read a homophone out loud when a picture that was either related or unrelated [7] to a homophonic character was presented before the character. Both Japanese and Chinese homophones were ...
Words with the same writing and pronunciation (i.e. are both homographs and homophones) are considered homonyms. However, in a broader sense the term "homonym" may be applied to words with the same writing or pronunciation. Homograph disambiguation is critically important in speech synthesis, natural language processing and other fields.
Original upload log. This image is a derivative work of the following images: File:Homograph homophone venn diagram.png licensed with Cc-by-sa-3.0, GFDL 2009-06-28T09:00:19Z Blazotron 944x694 (36481 Bytes) {{Information |Description={{en|1=This is an Euler diagram showing the relationships between pronunciation, spelling, and meaning of words, for example, homographs, homonyms, homophones ...
aahed and odd; adieu and ado; ant and aunt; aural and oral; err becomes the same as ere, air and heir; marry and merry; rout and route; seated and seeded; shone and shown; tidal and title; trader and traitor
Homophony first appeared as one of the predominant textures in Western classical music during the Baroque period in the early 17th century, when composers began to commonly compose with vertical harmony in mind, the homophonic basso continuo becoming a definitive feature of the style. [7]